47/14
I went to Juilliard
Chronology
The spirits of a deceased couple are harassed by an insufferable family who have moved into their home, and hire a malevolent spirit to chase them away. This is Michael Keaton’s favorite movie. Otho’s shoes, when he’s painting the walls of the house, change from fire engine red elf shoes to white sneakers as he walks through the bathroom, and then back to red elf shoes as he enters the next room. Adam: What are your qualifications? Beetlejuice: Oh. Well… I graduated from Harvard Business School.
I travel a lot
I lived through the Black Death and had a great time during that time. I’ve seen THE EXORCIST ABOUT ONE HUNDRED AND SIXTY-SEVEN TIMES, AND IT GETS FUNNIER AND FUNNIER EVERY TIME I SEE IT… NOT TO MENTION YOU’RE TALKING TO A DEAD MAN… NOW WHAT DO YOU THINK? You think I’m qualified? The Geffen company logo is accompanied by a macabre version of the song Banana Boat (sung by the film’s composer Danny Elfman). A work copy of the film has surfaced with a few added/alternate scenes.
Instead of a desert, he sees an empty darkness filled with moving cogs
This version of the film is about 2 minutes shorter than the theatrical version, has a few added scenes and is missing others, is in black and white, and has a timecode at the bottom. This version has 4 major differences: Alternate Scene: The scene where Adam tries to leave the house after he and his wife die is different. English:Additional Scenes: There is an additional scene where Lydia develops the photos she took of Adam and Barbra. Then, after her mother yells at her and scolds her for cutting holes in her sheets, Lydia goes upstairs and tries to convince her father that the photos are real. There is more in the scene where the adults search the attic for ghosts where we see the desert monster trying to eat Adam and Barbra as they hang out of the attic window. Finally, there is an additional 2-minute scene at the end where we see Lydia riding her bike home from school and her parents talking to Jane on the phone about not wanting to sell the house. Lydia’s dance scene is shorter in this version, and there is no scene with Beetlejuice in the waiting room.
Edited into Terror Toons (2002)
The film ends with a final exterior shot of the house. Day-OTraditional, lyrics by William A. Attaway and Irving Burgie [Miscredited as written by William A. Attaway and [Irving Burgie (as Lord Burgess)]Performed by Harry BelafonteCourtesy of RCA Records. This is by far Michael Keaton’s best performance. Every time he appears on screen, he delivers a performance so eccentric that it rivals Jim Carrey’s “The Mask,” but without the aid of computers. If his role calls for crudeness, it is revolting; insistent, it is offensive; witty, it is sarcastic and hilarious.
It’s a classic
One of my few complaints is that he doesn’t get enough screen time, although he does get a lot of it, most of which goes to Gena Davis and Alec Baldwin. Tim Burton’s direction is excellent. My favorite scene, by far, doesn’t even have Michael Keaton in it. Anyone who’s seen this movie will remember it as the dinner dance scene. If you haven’t seen it, you must have grown up under a rock or been born before me.
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